Jen Monroe – Page 6 – Listen To This

[Mix for NTS Radio] Getting Warmer Episode 33

Here’s my newest episode of Getting Warmer for NTS Radio. I was working on this as news was breaking about the fire at Notre Dame cathedral, so I was thinking a lot about sacred music and sacred spaces, but also about the hard lines we draw between devotional music and non-denominational music that still embodies some aspects of reverence for the divine, and what it means to enjoy music or other aesthetic remnants of religions that we don’t necessarily subscribe to or think are problematic. Some of this music is explicitly religious, and some of it isn’t. I hope you like it! You can download an mp3 version here.

Tracklist:
1. Skin – Blood On Your Hands
2. Roberto Musci – Lidia After The Snow
3. Kenji Kawai – 謡II (Ghost City: Chant II)
4. Les Nouvelles Polyphonies Corses With Hector Zazou – Eramu In Campu
5. Sœur Marie Keyrouz – L’Apostikhon de l’Office de Mercredi Saint (Prière de Marie-Madeleine) “Ya Rabbi”…
6. Sainkho Namtchylak – Haragannig
7. David Hykes & The Harmonic Choir – Kyrie Opening
8. Dead Can Dance – Wilderness
9. Geinoh Yamashirogumi – カライ・モーメ (さあ行きましょう、娘さん)
10. Urszula Dudziak – Po Tamtej Stronie Gory
11. Bulgarian State Radio & Television Female Vocal Choir – Kalimankou Denkou
12. Dead Can Dance – The Host Of Seraphim
13. Jocelyn Montgomery With David Lynch – Alleluia
14. Geinoh Yamashirogumi – Kleenex
15. Elena Ledda & Mauro Palmas – Sett’ispadas De Dolore

[Mix for NTS Radio] Getting Warmer Episode 32

This month’s mix for NTS Radio is predictably a spring wish fulfillment dream–lots of lush, green sounds, animals, a Dip In The Pool song that sounds uncannily like Scritti Politti, Gal Costa doing a live version of “Volta” that makes me cry forever, and the original and excellent version of “Kokorowa,” which you may have heard covered by Love, Peace & Trance. I hope you like it! You can download an mp3 version here if you like it. Cover image is by Hirō Isono.

I also wanted to apologize for how quiet it’s been around here recently–I’m very much still here and appreciate that some of you have reached out to check in! I generally try to avoid too much cross-promotion, but I have a food project that has been keeping me unbelievably busy for the past few months and I’ve been struggling to keep up. I’ve been missing having music be an active part of my life and am very much looking forward to stepping back into it. Thanks always for reading and being here 💙

Tracklist:
1. Sally Oldfield – Night of the Hunters Moon
2. Waak Waak Djungi – White Cockatoo
3. Hajime Mizoguchi – A Giraffe And The Moon
4. Steve Hillage – Garden of Paradise (excerpt)
5. Pili Pili – Be In Two Minds
6. Killing Time – Kokorowa
7. Gal Costa – Volta (Live)
8. Katsutoshi Morizono & Bird’s Eye View – Imagery
9. Dip In The Pool – A Quasi Quadrate
10. Ryuichi Sakamoto – Dolphins
11. All In One – Come Live With Me
12. Today’s Latin Project – Danza Lucumi
13. Tomoki Kanda – Everybody Wants To Rule The World
14. Sunstroke – Nothing’s Wrong In Paradise
15. Taeko Ohnuki – 祈り (Inori)

[Mix for NTS Radio] Getting Warmer Episode 31: Early Choral Music Special II

This month for NTS Radio I put together a second volume of early Western vocal music (you can find the first volume, from last year, here). Technically some of this is toeing the line into the Baroque period. Completely acapella and mostly sacred, though I think at least one of these songs are non-devotional love songs. I’ve listed the performers as the artist, and then the composers in parentheses after the song title. In full transparency, I’m neither an expert on this stuff nor am I at all religious–I just really love this music, and I think it makes an ideal winter hibernation soundtrack. I hope you like it too. You can download an mp3 version here. Stay warm!

Tracklist:
1. Sequentia – Quia Ergo Femina Mortem Instruxit (Hildegard von Bingen)
2. Sequentia – Virga Lesse Floruit (Anonymous)
3. Anonymous 4 – Sequence, Stillat In Stellam Radium (Unknown, 14th c. England)
4. The Gesualdo Six – Tenebrae Factae Sunt (Carlo Gesualdo)
5. Sequentia – Per Partum Virginis (Anonymous, 15th c. Aquitania)
6. Emma Kirkby & The Consort Of Musicke – Luci Serene E Chiare (Claudio Monteverdi)
7. Cantica Symphonia – Juvenis Qui Puellam (Guillaume Dufay)
8. The Tallis Scholars – Versa Est In Luctum (Alonso Lobo)
9. Ensemble Organum – Deo Gratias (Anonymous, 12th c. Aquitania)
10. The King’s Singers – Tibi Laus, Tibi Gloria (Orlande de Lassus)
11. Red Byrd & Cappella Amsterdam – Magnus Liber Organi: Alleluya. Pascha Nostrum Immolatus Est (Léonin)
12. The Hilliard Ensemble – Ave Regina (Walter Frye)
13. The Cambridge Singers – In Manus Tuas (John Shepperd)
14. The Tallis Scholars – Responsorium: Libera Me, Domine (Tomás Luis de Victoria)

Sequentia – Canticles of Ecstasy: Hildegard von Bingen, 1994

Another favorite collection of compositions by Saint Hildegard von Bingen (1098 – 17 September 1179), a German Benedictine abbess, writer, composer, philosopher, poet, doctor, visionary, Christian mystic, and polymath. She founded the practice of scientific natural history in Germany, lived to the age of 81 at a time when the life expectancy was early 40s at best, and wrote the oldest surviving morality play (sometimes called the first musical drama). Despite having no formal musical training, she was responsible for some of the most hauntingly beautiful and enduring music to come out of medieval Catholicism. Her compositions broke many of the existing conventions of plainchant, using extremes of register, dramatic leaps of pitch, melismas and flourishes to express rhapsodic, overflowing emotion.

Canticles of Ecstasy is performed by the venerable early music ensemble Sequentia, who have been active since 1977 and are known for contributing original research about the music that they study and perform. While Feather on the Breath of God featured the organistrum (aka hurdy-gurdy) drone on several tracks, Canticles of Ecstasy also includes gorgeous medieval harp and medieval fiddle arrangements. It’s also exclusively female voices, both solo and ensemble (#nunsonly). It’s also…profoundly beautiful? And it’s an ideal too-cold-to-leave-the-house shut-in soundtrack.

buy / download

All In One – All In One, 1969

Very much a quiet “wow” record. Warm, dusty, honeyed Chicago private press folk pop. The only release from the group, which included Katherine Parsons, Kathryn Davis, W. Wilson, T. Shiek, J. Bill, and K. Peterson. Bare-bones, baroque-pop harmonies over simple guitar parts and percussion, pegging them on first listen as Bacharach-tinged lo-fi bedroom folk contemporaries of Peter Paul & Mary (fittingly, “Rich Man, Poor Man” is a cover of a Peter Paul & Mary song, originally released in 1968). But! there’s more–there’s an unsmilingly blunt closeness to the vocal quality that reminds me of Marine Girls, The Roches, but also sounds much more antiquated than what I associate with 1969–it reminds me a lot of the tones that I’m used to hearing in recordings from the 50’s, or even the 40’s–though maybe that’s just degraded recording quality coloring my perception.

These swooning, girl group harmonies will definitely work for fans of Quarteto Em Cy, but these are more baroque in sensibility, and not just because there’s a gorgeously on-the-nose version of “Scarborough Fair.” Though this record is roughly half covers, and though there are so many direct reference points, it still feels extraordinarily like its own world. Deeply golden-toned, which is perhaps what makes it feel like such a balm in the wintertime. I’m not sure if this turns everyone else into a pile of goo in the way that it does for me, but I will say that if it’s for you, it’s definitely for you. Anyone have a nice FLAC rip of this that they’d like to share?

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25 Favorite Releases of 2018

In the spirit of the season, I wanted to share some of my favorite releases of the year. Such a nuts year for music, with huge leaps of brilliance happening in so many radically different genres! Obviously this isn’t meant to be exhaustive or authoritative; just some personal highlights. Quite a few of these are giant major label releases, so I’ll be taking down those download links quickly or leaving them off accordingly. Let me know if links are broken. Happy new year!

Previously: 2017 | 2016 | 2015

	Baby Ford – Ford Trax, 1988 download
	Brian Keane with Omar Faruk Tekbilek, Dinçer Dalkılıç, & Emin Gündüz – Süleyman The Magnificent OST, 1988 buy / download
	Cocteau Twins – Blue Bell Knoll, 1988 buy
	Cowboy Junkies – Trinity Session, 1988 buy
	Dead Can Dance – The Serpent’s Egg, 1988 buy
	Enya – Watermark, 1988 buy
	Eric B. & Rakim – Follow The Leader, 1988 buy
	Fingers Inc. – Another Side, 1988 download
	Geinoh Yamashirogumi – Symphonic Suite AKIRA, 1988 buy / download
	Harold Budd – The White Arcades, 1988 buy
	Leonard Cohen – I’m Your Man, 1988 buy
	Lorad Group – Sul Tempo, 1988 buy / download
	Maria Rita – Brasileira, 1988 buy / download
	Mary Margaret O’Hara – Miss America, 1988 buy / download
	Motohiko Hamase – #Notes Of Forestry, 1988 buy
	Nuno Canavarro – Plux Quba, 1988 buy / download
	Prefab Sprout – From Langley Park To Memphis, 1988 buy / download
	Prince – Lovesexy, 1988 buy
	Public Enemy – It Takes A Nation Of Millions To Hold Us Back, 1988 buy
	Sade – Stronger Than Pride, 1988 buy
	The Sugarcubes – Life’s Too Good, 1988 buy
	Talk Talk – Spirit Of Eden, 1988 buy / download
	Vangelis Katsoulis – The Slipping Beauty, 1988 download
	Womack & Womack – Conscience, 1988 buy
	Yoshio Ojima – Une Collection des Chainons I & II: Music For Spiral, 1988 download

Scribble – So Far, 1985

Scribble was a short-lived project of Australian musician and songwriter Johanna Pigott, formerly of punk band XL Capris. Acting as lead vocalist, guitarist, pianist, keyboardist, songwriter, and producer, Pigott recruited her partner Todd Hunter for bass and keyboards, as well as a slew of session musicians. She eventually dissolved Scribble to focus more on her writing, and went on to rack up many songwriting and screenwriting credits, including Keith Urban’s first single, “Only You,” which is unsurprising given how good it is (also he looks confusingly hot in this admittedly blurry video? I regret none of these opinions). Though Scribble has garnered a little bit of cult interest, it never received much critical acclaim that I would argue this record most certainly deserves.

Prim, elegant sophisti-pop tinged with post punk and new wave. Opener “It’s Blue” is such a pleasurable, effortless piece of guitar pop that it feels like taking a hot bath and is a big part of why I’ve had this record on repeat for the past few weeks. Elsewhere, find Pigott’s opiated, smoky, slow-jazz take on “The Lady Is A Tramp,” bombastic brassy new wave on “Adaptability,” and an absolutely sublime cover of Roxy Music’s “Mother Of Pearl,” which, despite being eight minutes long, always makes me wish it were longer. An ideal wintertime record that feels more and more like a favorite sweater with each listen. Thank you Flo for bringing me here via this excellent mix :}
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Giusto Pio – Alla Corte di Nefertiti, 1988

Pristine minimal ambience from Italian musical giant Giusto Pio. Best known for his many collaborations with Franco Battiato, Pio was a composer and world class classical violinist born in Castelfranco Veneto in 1926. He was sought out by Battiato as a violin teacher, but the two went on to sculpt Battiato’s sound from post-prog to minimalism to Europop, with many other projects along the way, like their contributions to this Francesco Messina record. Among these collaborations, Battiato produced Pio’s first solo album, considered to be Pio’s crowning achievement and a holy grail of avant-garde minimalism: 1979’s Motore Immobile. Pio continued to release solo records until 1995. He passed away in 2017 at the age of 91.

Alla Corte di Nefertiti, however, is a very different beast. Though it was released by Battiato’s publishing company L’Ottava S.r.l. as a subsidiary of EMI Records, Battiatio wasn’t involved in production. The record is two long-form tracks of synth impressions, the first of which is more of a holistic composition and the second of which is a reflection, or “frammenti,” of the first, sonic pieces broken up and scattered with spaces falling where they may. I like the more pure minimalist moments the best, where single vibrating tones are left to hang in the air like washes of color, but there are also some great moments with synthetic choirs of angels radiating concern from plastic celestial bodies. A few moments of percussive texture, some which have a cinematic urgency that feels appropriate for Pio’s background, but for the most part Alla Corte di Nefertiti is just drifting in pillows of sound. Made on an Akai MG1212. Excellent for working to, or waking up to. Thanks for all the music, Giusto.

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Allez Allez – Promises, 1982

Ridiculously catchy Belgian new wave disco-funk. Bombastic, soulful vocals from Sarah Osborne; Martyn Ware production, of course. Not too much to say about this other than that it fills a dance floor very quickly. Good for fans of Liquid Liquid, ESG, Lizzy Mercier Descloux. I’m also including a bonus b-side from the single for “Valley of the Kings” called “Wrap Your Legs (Around Your Head)” which, uh, really slaps.

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[Mix for NTS Radio] Getting Warmer Episode 30

Here’s my newest episode of Getting Warmer for NTS Radio. This one is meant to be a peak autumnal soundtrack, with lots of warm folk, jazz, and psych. You can download an mp3 version of it here. Thanks for listening 💙

Tracklist:
1. Margo Guryan – Think Of Rain
2. Javier Somarriba – Contigo Llegaron Los Colores
3. Joni Mitchell – God Must Be A Boogie Man
4. Wendy & Bonnie – Children Laughing
5. Nadi Qamar – After Glow
6. Maki Asakawa – ふしあわせという名の猫
7. Once – Joanna
8. Affinity – I Wonder If I Care As Much
9. Linda Cohen – Arroyo
10. Mariangela – Memories of Friends
11. The Cyrkle – The Visit (She Was Here)
12. Judee Sill – The Archetypal Man
13. Quarteto Em Cy – Tudo Que Você Podia Ser
14. World Standard – Loving Spoonful
15. Robbie Basho – Orphan’s Lament
16. Psychic TV – White Nights
17. Colin Blunstone – Smoky Day
18. Mary Margaret O’Hara – You Will Be Loved Again
19. Pat Metheny, Lyle Mays & Nana Vasconcelos – Estupenda Graça