I shared Badarou’s Echoes a while ago, and will probably share Words of a Mountain at some point, but I think his most recent solo release tends to get overlooked. Though the title pegs it as yoga music, there’s very little conventional new age to be found here–it feels more like the hotel lobby music of my dreams. I’ve never used it as a yoga accompaniment, but I have done a lot of deep cleaning with it, and I would imagine this would be great driving music. Alternately playful, tropical, nostalgic, reggae-tinged, meditative, cinematic, and as one would expect, endlessly smooth. Badarou himself seems to be conflicted about the work, citing poor promotion and “intimate” distribution. He disavowed it as an instrumental record, instead calling it a compilation of high-quality demos that were put together quickly for a friend’s project. Nobody needs me to say that Badarou is a genius; this is just a reminder that his wizardry holds fast even under unideal circumstance. (If you also listened to CFCF’s Colours of Life a gazillion times, you’ll love this–the sonic palettes and titles are so akin that I suspect it’s a direct nod.)
Tag: benin
Wally Badarou – Echoes, 1984
Wally Badarou is a legend. Paris-born and Benin-raised, he was part of the Compass Point Studios in-house recording team in the Bahamas; was a session musician for Grace Jones, Lizzy Mercier Descloux, Herbie Hancock, Level 42, Black Uhuru, Gwen Guthrie, Robin Scott, Talking Heads, Tom-Tom Club, Robert Palmer, and Manu Dibango; and produced for Fela Kuti, Salif Keita, and Marianne Faithfull, among many, many others. Echoes is an entirely instrumental, almost comically smooth piece of electronic funk wizardry. You’ve probably heard the single “Chief Inspector” in a million DJ sets, but the whole album is mixtape ready. Take it to the beach, y’all.