Tag: polyphony

[Mix for NTS Radio] Getting Warmer Episode 63: Early Choral Music Special V

My newest episode of Getting Warmer on NTS Radio is the fifth installment in the annual Early Choral Music special. Entirely acappella and sacred, with a little bit more of a Spanish focus this year. I’ve listed the performers as the artist, and then the composers in parentheses after the song title. In full transparency, I’m neither an expert on this stuff nor am I at all religious–I just really love this music, and I think it makes an ideal winter hibernation soundtrack. I hope you like it too. You can download an mp3 version here. Stay warm, and happy holidays!

Previous early choral music specials: 2021, 2020, 2019, 2018

Tracklist:
1. Sequentia – O Pastor animarum (Hildegard von Bingen)
2. Tonus Peregrinus – Missa Da gaudiorum premia: Sanctus (John Dunstable)
3. La Capella Reial de Catalunya – Sibil·la Valenciana: Gloria Tibi Domine (Bartomeu Càrceres)
4. The Cambridge Singers – Justorum animae (Orlando de Lassus)
5. Anonymous 4 – Ave Maria gracia plena (Anonymous, 13th century France)
6. The Tallis Scholars – Funeral Motet: Versa est in luctum (Tomás Luis de Victoria)
7. Discantus – O rubor sanguinis [Antienne] (Hildegard von Bingen)
8. A Sei Voci – Messe Vidi Turbam Magnam: Graduel [Exaltent Eum] (Gregorio Allegri)
9. The Tallis Scholars – Osculetur me (Orlando de Lassus)
10. Capilla Flamenca – De profundis (Sebastián de Vivanco)
11. Ensemble Project Ars Nova – O gloriosissimi lux (Hildegard von Bingen)
12. The Tallis Scholars – Missa Papae Marcelli: Kyrie (Giovanni Pierluigi Da Palestrina)
13. Anonymous 4 – Codex Calixtinus: Portum in ultimo (Anonymous, 12th century France)
14. Capilla Flamenca – Quae est ista (Sebastián de Vivanco)
15. The Tallis Scholars – Motet: Sicut lilium inter spinas (Giovanni Pierluigi Da Palestrina)
16. Discantus – Ave rosa novella (Anonymous, 13th century France)
17. Pro Cantione Antiqua – Missa Aeterna Christi munera: Kyrie (Giovanni Pierluigi Da Palestrina)

[Mix for NTS Radio] Getting Warmer Episode 51: Early Choral Music Special IV

My newest episode of Getting Warmer on NTS Radio is the fourth installment in the annual Early Choral Music special. Entirely acappella and mostly sacred, though I got a little wild and threw in a secular song from 16th century England. Also, to keep it extra spicy there’s some Hungarian and Bulgarian stuff in here too! I’ve listed the performers as the artist, and then the composers in parentheses after the song title. In full transparency, I’m neither an expert on this stuff nor am I at all religious–I just really love this music, and I think it makes an ideal winter hibernation soundtrack. I hope you like it too–if you do, you can download an mp3 version of it here. Stay warm!

Previous early choral music specials: 2020, 2019, 2018

Tracklist:
1. Sequentia – Kyrieleison (Hildegard von Bingen)
2. The Tallis Scholars – Qui venit (John Taverner)
3. Sequentia – Ora pro nobis, beate Nicolae (Anonymous, France)
4. Anonymous 4 – Motet: Puellare gremium / Purissima mater (Unknown composer, England)
5. Huelgas-Ensemble – Virgo sub ethereis (Alexander Agricola)
6. Anonymous 4 – Pia mater gratie (Anonymous, France)
7. Huelgas-Ensemble – Fortuna desperata (Alexander Agricola)
8. Sequentia – O Dulcis Electe (Responsory/To St. John The Evangelist) (Hildegard von Bingen)
9. Osnabrücker Jugendchor – Miserere mei, Deus (excerpt) (Gregorio Allegri)
10. Theatre of Voices – Ve Mundo (Philip The Chancellor)
11. Anonymous 4 – Novum Decus Oritur (Unknown, Hungary)
12. Tonus Peregrinus – Quam Pulchra Est (John Dunstable)
13. The Tallis Scholars – Requiem: Taedet Animam Meam (Tomás Luis de Victoria)
14. Taverner Choir & Players – Westron Wynde (Anonymous, England)
15. Discantus – Vox in Rama (Unknown, France)
16. Tonus Peregrinus – Sanctus (John Dunstable)
17. Chamber Music Ensemble Kukuzel – Bulgarian Lament (excerpt) (Ioan Kukusel)
18. The Tallis Scholars – Dona nobis pacem (John Taverner)
19. Westminster Cathedral Choir – Sanctus (Missa Cantate) (John Sheppard)

[Mix for NTS Radio] Getting Warmer Episode 48

Here’s my most recent episode of Getting Warmer for NTS Radio–pleased to realize that it’s my 48th episode, meaning that this show recently turned four years old. Sharing this show has, in all sincerity, been one of the most rewarding and pleasurable things I’ve ever done, so I’m grateful to all who have listened.

As I was putting this mix together I was thinking about the million people we’ve lost to COVID-19, a fifth of whom were Americans. Many of them died alone, with no family or friends present, and many of them still haven’t yet been given funerals because of travel or safety restrictions. Here in America, there has been no national mourning, reckoning, or even acknowledgment of what we’ve lost. Our president trivializes the disease and its impacts, and he belittles and dismisses the 210,000 lives we’ve lost to it, every day. It feels incredibly difficult to move through collective grief when our leadership has not only learned nothing from its mistakes but is actively denying that mistakes were ever made or are still being made.

This is my dedication to those who’ve died and to those who loved them: music that, to me, feels otherworldly, reverent, and resonant with the gravity of loss. It’s mostly Russian choral music, which I love for its dark, watery awe, though it there are also a few moments of Japanese medieval futurism. It also includes two of my favorite choral pieces, Rachmaninoff’s “Bogoroditse Devo” from his All-Night Vigil and a choral adaptation of Bach’s “Komm Süsser Tod.” I hope you enjoy it–you can download an mp3 version here. Sending love, and thanks as always for being here 💙

Tracklist:
1. Yoko Kanno – Aqua (Cello Version)
2. The USSR Ministry Of Culture Chamber Choir – Hymn Of The Cherubim (Excerpt) (Comp. Tchaikovsky)
3. Osnabrücker Jugendchor – Amplius (Comp. Gregorio Allegri)
4. This Mortal Coil – Song To The Siren
5. MDR Rundfunkchor – Bogoroditse Devo (All-Night Vigil, Op. 37 “Vespers”) (Comp. Rachmaninoff)
6. Erik Westberg Vocal Ensemble – Komm Süsser Tod (Come, Sweet Death) (Comp. Bach)
7. Yoko Kanno – Aqua
8. St. Petersburg Chamber Choir – Chorale (Comp. Josef Ketchakhmadze)
9. Bulgarian State Radio & Television Mixed Choir – I Have Chosen The Blissful (Comp. Alexander Gretchaninov)
10. Geinoh Yamashirogumi – Falling As Flowers Do – Dying A Glorious Death
11. Choir of King’s College – Nyne Otpushchayeshi (Nunc Dimittis) (All-Night Vigil, Op. 37 “Vespers”) (Comp. Rachmaninoff)
12. St. Petersburg Chamber Choir – Alleluia, Behold The Bridegroom (Anonymous)
13. The Cambridge Singers – Libera Nos, Salva Nos (Comp. John Sheppard)
14. Unknown – Russian Cathedral Bells

[Mix for NTS Radio] Getting Warmer Episode 40: Early Choral Music Special III

This month for NTS Radio I put together a third volume of early Western vocal music. Completely acapella and largely sacred, though I went a little ~crazy~ this time and threw in a couple of courtly love motets. I’ve listed the performers as the artist, and then the composers in parentheses after the song title. In full transparency, I’m neither an expert on this stuff nor am I at all religious–I just really love this music, and I think it makes an ideal winter hibernation soundtrack. I hope you like it too. You can download an mp3 version here. Stay warm!

Previous early choral music specials: 2019, 2018

Tracklist:
1. Anonymous 4 – Peperit virgo (Unknown composer, England)
2. Huelgas-Ensemble – Apostolo glorioso (Guillaume Dufay)
3. The Gesualdo Six – Te lucis ante terminum (Thomas Tallis)
4. Anonymous 4 – Je te pri de cuer par amors (Unknown composer, France)
5. The Hilliard Ensemble – Sabbato Sancto: Responsorium 3 (Carlo Gesualdo)
6. Tonus Peregrinus – Credo: Da Gaudiorum Premia (John Dunstable)
7. Theatre of Voices – In hoc anni circulo (Unknown composer, France)
8. Tonus Peregrinus – Beata viscera (Pérotin)
9. The Hilliard Ensemble – Ave regina (Walter Frye)
10. Anonymous 4 – Quant je parti de m’amie (Unknown composer, France)
11. Ensemble Organum – Répons: Hodie nobis caelorum rex de virgi nasci (Unknown composer, France)
12. Sequentia – Nunc aperuit nobis (Hildegard von Bingen)
13. The Cambridge Singers – Libera nos, salva nos (John Shepperd)

[Mix for NTS Radio] Getting Warmer Episode 33

Here’s my newest episode of Getting Warmer for NTS Radio. I was working on this as news was breaking about the fire at Notre Dame cathedral, so I was thinking a lot about sacred music and sacred spaces, but also about the hard lines we draw between devotional music and non-denominational music that still embodies some aspects of reverence for the divine, and what it means to enjoy music or other aesthetic remnants of religions that we don’t necessarily subscribe to or think are problematic. Some of this music is explicitly religious, and some of it isn’t. I hope you like it! You can download an mp3 version here.

Tracklist:
1. Skin – Blood On Your Hands
2. Roberto Musci – Lidia After The Snow
3. Kenji Kawai – 謡II (Ghost City: Chant II)
4. Les Nouvelles Polyphonies Corses With Hector Zazou – Eramu In Campu
5. Sœur Marie Keyrouz – L’Apostikhon de l’Office de Mercredi Saint (Prière de Marie-Madeleine) “Ya Rabbi”…
6. Sainkho Namtchylak – Haragannig
7. David Hykes & The Harmonic Choir – Kyrie Opening
8. Dead Can Dance – Wilderness
9. Geinoh Yamashirogumi – カライ・モーメ (さあ行きましょう、娘さん)
10. Urszula Dudziak – Po Tamtej Stronie Gory
11. Bulgarian State Radio & Television Female Vocal Choir – Kalimankou Denkou
12. Dead Can Dance – The Host Of Seraphim
13. Jocelyn Montgomery With David Lynch – Alleluia
14. Geinoh Yamashirogumi – Kleenex
15. Elena Ledda & Mauro Palmas – Sett’ispadas De Dolore

[Mix for NTS Radio] Getting Warmer Episode 31: Early Choral Music Special II

This month for NTS Radio I put together a second volume of early Western vocal music (you can find the first volume, from last year, here). Technically some of this is toeing the line into the Baroque period. Completely  acapella and mostly sacred, though I think at least one of these songs are non-devotional love songs. I’ve listed the performers as the artist, and then the composers in parentheses after the song title. In full transparency, I’m neither an expert on this stuff nor am I at all religious–I just really love this music, and I think it makes an ideal winter hibernation soundtrack. I hope you like it too. You can download an mp3 version here. Stay warm!

Tracklist:
1. Sequentia – Quia Ergo Femina Mortem Instruxit (Hildegard von Bingen)
2. Sequentia – Virga Lesse Floruit (Anonymous)
3. Anonymous 4 – Sequence, Stillat In Stellam Radium (Unknown, 14th c. England)
4. The Gesualdo Six – Tenebrae Factae Sunt (Carlo Gesualdo)
5. Sequentia – Per Partum Virginis (Anonymous, 15th c. Aquitania)
6. Emma Kirkby & The Consort Of Musicke – Luci Serene E Chiare (Claudio Monteverdi)
7. Cantica Symphonia – Juvenis Qui Puellam (Guillaume Dufay)
8. The Tallis Scholars – Versa Est In Luctum (Alonso Lobo)
9. Ensemble Organum – Deo Gratias (Anonymous, 12th c. Aquitania)
10. The King’s Singers – Tibi Laus, Tibi Gloria (Orlande de Lassus)
11. Red Byrd & Cappella Amsterdam – Magnus Liber Organi: Alleluya. Pascha Nostrum Immolatus Est  (Léonin)
12. The Hilliard Ensemble – Ave Regina (Walter Frye)
13. The Cambridge Singers – In Manus Tuas (John Shepperd)
14. The Tallis Scholars – Responsorium: Libera Me, Domine (Tomás Luis de Victoria)

[Mix for NTS Radio] Getting Warmer Episode 29: Halloween Special

Please enjoy this Halloween special of Getting Warmer for NTS Radio. Featuring overtones, appalachian folk, Tibetan chant, a Delia Derbyshire side project, baroque psych, Kwaïdan, Throbbing Gristle, and lots more. You can download an mp3 version here.

Just a note that there are some things in here that are startling and disturbing, or at least I think so, so if you don’t like listening to scary things I would suggest giving this one a pass.

Tracklist:
1. Buffy Sainte-Marie – Poppies
2. David Hykes & The Harmonic Choir – Gravity Waves
3. Dorothy Ashby – The Moving Finger (excerpt)
4. White Noise – Love Without Sound
5. Karen James – Ghost Lover
6. Throbbing Gristle – Hamburger Lady
7. Ghedalia Tazartès – Une Voix S’en Va
8. Syd Barrett – Golden Hair
9. Monks of the Monastery of Gyütö – Sangwa Düpa (excerpt)
10. Geinoh Yamashirogumi – Osorezan (excerpt)
11. Tōru Takemitsu – II. Yuki (The Woman of the Snow)
12. Anna Homler & Steve Moshier – Sirens (excerpt)
13. Lead Belly – In The Pines
14. The Caretaker – My Heart Will Stop In Joy
15. Dead Can Dance – Wilderness
16. Dorothy Carter – Along The River
17. Jean Ritchie – The Unquiet Grave

Peter Garland, Aki Takahashi & Essential Music – Another Sunrise, 2002



Guest post by Peter Harkawik

For the past few years, I’ve been fascinated by a certain thread of post-minimalist music that has taken the form away from its challenging, austere roots and more toward the melodic, etherial, and uplifting. Daniel Lentz, Mary Jane Leach, Paul Dresher, Elodie Lauten, and Andrew Poppy (whose Lost Jockey LP remains criminally out of circulation) have all made contributions in this direction. Wim Mertens is as responsible as anyone, publishing American Minimal Music, a text that helped introduce Europe to minimalism, in 1983. Perhaps my favorite though is Another Sunrise, a piece composed by Peter Garland for Aki Takahashi and Essential Music in 1995.

Another Sunrise continues a long intersection between Native American and minimalist music. Harry Partch and Moondog both constructed instruments inspired largely by those of indigenous peoples; the latter spent a summer in 1948 camped outside a Navajo reservation in New Mexico in a failed attempt to interest them in his music. Garland studied composition and ethnomusicology under Harold Budd and James Tenney at CalArts in the early 1970s, making extended stays in Mexico and eventually settling in Santa Fe in 1980, where he directed a performance ensemble. Sunrise benefits greatly from his long friendship with Aki Takahashi, a gifted and prolific avant-garde pianist who has collaborated with Tōru Takemitsu, Morton Feldman, Alvin Lucier, and Carl Stone. She is joined by Judith Gordon on piano, and four percussionists, apparently the product of an arrangement previously set up for a Paul Bowles piece.

 Another Sunrise is, from its first note, a showcase for the marimbula, an instrument of the Caribbean that shares a heritage with the African thumb piano. Its opening five bars form a simple theme that is the piece’s primary generative element. The titles of its short segments offer formal clues: mariachi, ballad, rumba, bolero, coda and finally, gospel. Vibraphone and marimba declare themselves halfway through “Ballad,” joined by dueling pianos. If it were not for the supreme beauty of the melody, Takahashi’s playing here would be almost violent, an urgent reminder that the piano is, after all, a percussive instrument. “Rumba” borrows only rattles and tempo from its namesake, followed by a quiet interlude in “Bolero.” Another Sunrise makes powerful use of its silent passages, and its circular, modal nature make for many moments when the piece feels it has concluded, only to continue in a thrilling steel drum crash. This is most true in the coda and final “Gospel Medley,” a deeply moving summation that calls to mind a congregation of enthralled worshippers. Part of my love of minimalist music is its ability to reveal itself upon repeated listenings, making it the ideal soundtrack for work that requires long stretches of sustained concentration, and this is certainly true here.

Sunrise is accompanied by two other Garland works, “Dreaming of Immortality in a Thatched Cottage” (1977, recorded in 1997) and “I Have Had to Learn the Simplest Things Last” (1993, recorded in 1995). “Dreaming” is a somber polyphonic work, beginning with a naked vocal harmony and slowly introducing an Indonesian angklung, marimba, and harpsichord. This marks Garland’s return to working with orchestral instruments after a period of abstinence apparently inspired by a brief friendship with Partch. “Simplest” was composed shortly after the death of John Cage in 1993, and is the collection’s most pared-down, most direct piece. It is broken into four segments that feel like a single supposition with divergent conclusions. Its final component, titled “I Found Them Like Seashells On The Beach (J. Cage)” is a passage of startling and profound quietude, and a fitting end, both for its subject, and this collection.

The Tallis Scholars – Victoria Requiem, 1987

This endless, drizzly winter has put me in a major early choral music rut, and it’s been so good that I almost don’t want the sun to come out. If you’ve never stomped around slushy Brooklyn subway stations in too many layers listening to this stuff in headphones, I’d highly recommend it–it’s a very easy way to lend some potent saintly gravitas to whatever you’re doing and thinking about, however trivial. Along the way, I’ve decided that Spanish Counter-Reformation composer and priest Tomás Luis de Victoria’s requiem, written in 1605, is one of my favorites.

I will say that because this was written right along the outer edges of what’s defined as “early music,” it shows a lot of early baroque tendencies, which is to say that it’s lacking the stark, alien-sounding movements of really early polyphony, like Pérotin. This Requiem is more along the lines of the traditional, baroque kind of prettiness that sounds pretty familiar to 2018 ears. I don’t think that’s at all a bad thing, but if you’re after more brutal, ascetic medievalism, this isn’t it. This is gorgeous, gut-wrenching, deeply pleasurable harmonies all the way. It’s remarkably versatile, too–if you want to make whatever you’re doing at home feel very important and beautiful (reading! writing! washing dishes! brushing your dog!), pop this on. You won’t regret it.

Note that the first ten tracks are Victoria’s Requiem in its entirety, and the last track,  “Versa Est In Iuctum,” was written by Alonso Lobo, one of Victoria’s contemporaries. For more early sacred choral music, including more work by always great Tallis Scholars, see here, here, here, here, and here.

buy / download

[Mix for NTS Radio] Getting Warmer Episode 20: Early Choral Music Special

Here’s my most recent episode of Getting Warmer for NTS Radio. This one is comprised of entirely early Western vocal music (technically some of this is toeing the line into the Baroque period), completely a capella, and mostly sacred, though at least one of these songs is a non-devotional love song. I’ve listed the composer as the artist, and then the performers in parentheses after the song title. In full transparency, I’m neither an expert on this stuff nor am I at all religious–I just really love this music, and I think it makes an ideal winter hibernation soundtrack. I hope you like it too. You can download an mp3 version here. Stay warm!

Tracklist:
1. Hildegard von Bingen – O Lucidissima (Rosa Lamoreaux & Hesperus Ensemble)
2. Claudio Monteverdi – Ah Dolente Partita
(Emma Kirkby & The Consort of Musicke)
3. Pérotin – Plainchaint: Viderunt omnes fines terrae (Tonus Peregrinus)
4. Tomás Luis De Victoria – Kyrie (The Tallis Scholars)
5. Léonin – Viderunt Omnes, 2 Part Organum (Tonus Peregrinus)
6. Claudio Monteverdi – Donna, Nel Mo Ritorno (La Venexiana)
7. Unknown composer, 12th century Aquitanian monasteries –
Lux refulget (Sequentia)
8. Carlo Gesualdo – Sabbato Sancto, Responsorium 5 (The Hilliard Ensemble)
9. Walter Frye – O florens rosa (The Hilliard Ensemble)
10. Giovanni Pierluigi da Palestrina – Motet Nigra Sum (The Tallis Scholars)
11. Pérotin – Beata viscera (The Hilliard Ensemble)
12. Unknown composer, 13th century England – Conductus:
O Maria stella maris (Anonymous 4)
13. Léonin – Pentecost: Repleti sunt omnes (Red Byrd)
14.Thomas Tallis – Spem in alium (Motet for 40 Voices) (The Tallis Scholars)