Tag: pop

Alec Mansion – Alec Mansion, 1983

Guest post by Ian Hinton-Smith

A YouTube forage on a late-night mission to find everything related to early 80’s Telex eventually led me to Alec Mansion. The first track to hit me was “En Volant” (a sublime slice of uplifting disco-boogiefunk and well worth sniffing out) from his first LP Microfilms, but his self-titled follow-up album has an excellent run of dance floor bangers and so gets our attention here today. Instant winners are “Ou Es-Tu,” which gives RIPrince a run for his money in fizzy funk synth territory, and “Laid, Bête, Et Méchant” (roughly “Ugly, Stupid, and Mean”), which snaps harder than a stretched pair of disco knickers.

Impossible to find a hard copy and commanding high prices when it does rear its head in the vinyl market, so I highly suggest you grab this and save yourselves a few months waiting time…and a scramble to find a few hundred clams when it does. High recommends for fans of Telex and Lio. Repress please!

Renée – Reaching For The Sky, 1980

Second full-length from Dutch pop band. New-wave tinged synth pop, at its best during sparse, nimble-footed sophisti-pop tracks like “Jimmy,” “Come Closer,” and personal favorite “Lay Me Down.” Sultry, swingy vocal layering courtesy of Anja Nodelijk, who continued on to record as a solo artist while still using the name Renée. Mom, if you’re reading, I think you’ll like this one.

Il Guardiano del Faro – Domani, 1977

Il Guardiano del Faro (“the lighthouse keeper”), aka Federico Monti Arduini, was a very prolific Italian musician, composer, and producer who was credited as an early adopter of the Moog synthesizer. Despite having had a slew of best-selling songs in Italy, there’s very little information available about him on the internet–I don’t even remember how this wound up in my hands! Really smart orchestral sensibility applied to lush, synthetic space-age smooth jazz fusion. Ideal cheeky retro-futurist bachelor pad soundtrack. Don’t miss the syrupy quavering cover of The Flamingos’ “I Only Have Eyes for You.”

Linda Di Franco – Rise Of The Heart, 1986

Slinky, balearic perfection from Linda Di Franco, who was a DJ in the Turin underground circuit (a scene about which I know absolutely nothing) before releasing Rise Of The Heart, her only full-length. Hard to pick a favorite track, but the unbelievably hard-hitting “TV Scene” has been stuck in my head for years. Her blissed out, bossa-tinged cover of Dusty Springfield’s “The Look of Love” is a peak, as is the tropical jazz anthem “My Boss” (which, oddly, was released in Italy as a 7″ split with Rod Stewart’s “Love Touch”). This isn’t a great quality rip, but it’s the best I could find as the record is way out of print. If anyone has a better copy they’d like to share, let me know! For fans of Antena, Brenda Ray, Sade, and Gina X Performance.

D-Day – Grape Iris, 1986

 

Deeply weird record. The first four tracks are straightforward enough: dusty-sweet synth pop, toy whirrs and blips, a Joy Division fan on board, pristine vocal harmonies, some half-hearted samba as the amphetamines are wearing off, sulky new wave guitar. Definitely perverse, but somewhere we’ve been before. Things start to get gnarly around track five, “Sweet Sultan,” which sounds like a dirtier Lena Platonos pirated off a broken answering machine. It gets more confusing as new wave decomposes into no wave (“Dead End”) and then into minimal wave (“Dust”), propelled along by what sounds like an 808 that’s been dropped a few times too many. “Ki-Rai-I” is Grape Iris‘s maximum euphoria, with a Sakamoto-esque marimba loop buried underneath Robin Guthrie-esque guitar warps and more static-scratched telephone-speak, the whole thing sounding like a tape that got left out in the sun. After one last frantic guitar stab (“So That Night”), closer “Float A Bort” returns us to strung-out delirium, slowly submerging itself in water as the sun sets. Keyboards and some production by Yoichiro Yoshikawa, who’s worked with Yas-Kaz and is responsible for the gorgeous Miracle Planet soundtrack (I’ll get there soon). Wowowow.

[Mix for NTS Radio] Listen To This!

We made a two hour mix for NTS Radio. Tracklisting below. If you like it, you can download an mp3 version here. Enjoy!

Tracklist:
0:00 Richard Burmer – Physics
3:31 Masami Tsuchiya – Nevermind (Excerpt)
6:28 Carlos Maria Trindade – The Truth
9:09 Joe Hisaishi – The Winter Requiem
13:49 Bill Nelson – Pansophia
14:41 Anna Homler & Steve Moshier – Celestial Ash (Excerpt)
20:09 Toshifumi Hinata – Chaconne
24:45 George Wallace – Electric Night
31:23 Danyel Gérard – La Vieux de la Montagne
35:41 Steve Tibbetts – 100 Moons
40:50 Hector Zazou & Dead Can Dance – Youth (Excerpt)
42:26 Codek – Tim Toum
46:22 Şenay – Doy-Doy-Doymadım
51:57 Joan Bibiloni – Sa Fosca
58:45 Jaco Pastorius – Okonkole Y Trompa
1:03:00 Blue Gas – Shadows From Nowhere
1:06:58 Rasta Instantané – Kylyn
1:11:56 Boban Petrović – Zajedno Srećni
1:16:52 Saâda Bonaire – More Women
1:21:51 Christy Essien Igbokwe – You Can’t Change A Man
1:25:34 Hiroshi Sato – Awakening
1:29:06 Love, Peace & Trance – Hush – A Mandala Ni Pali
1:33:15 Asha Bhosle & Ghulam Ali – Roodad-E-Mohabbat Kya Kahiye Kuchh Yaad Rahi Kuchh Bhool Gaye
1:38:52 New Musik – Areas
1:43:00 CFCF – Vermont
1:47:45 Hiroshi Yoshimura – Time After Time
1:56:27 Gervay Briot – Science

World Standard – Allo!, 1986

Hooked on this one. World Standard is the project of Sohichiro Suzuki, who seems to still be releasing music as of 2013. Surprise surprise, a few of his releases feature Hosono production. Allo! is full of of the dry genre-referencing that I strongly associate with Japanese 80s pop, especially leaning into cinematic song structures, doo-wop, chanson, and bossa nova. It’s off-putting for some, though I think this is an unusually well-executed instance of it. It’s also an excellent entry point into World Standard’s considerable, and startlingly varied, catalogue. Cleverly built pop songs with swingy vocal layering, shivery synth blips, and several really effective moments of songs “opening up” in very moving ways. For fans of Asami Kado and Miharu Koshi. Thank you Ian for the World Standard tip!

Yukihiro Takahashi – Neuromantic, 1981

The third solo release from YMO member Yukihiro Takahashi, with appearances from Haruomi Hosono, Ryuichi Sakamoto, Andy Mackay of Roxy Music, and Tony Mansfield, who’s worked with Lio, the B-52s, New Musik, and Jean-Paul Gaultier. Assistance from Steve Nye of Penguin Café Orchestra, Chris Mosdell, and Hideki Matsutake, who has computer programmed many of the greatest Japanese electronic records ever made.

Unsurprisingly, this has a lot of the same spiky relentlessness as the music that YMO was making at the time, though this is more new wavey, more optimistic, and as a whole, less hopped up. It’s also a vessel for very well-constructed pop songs, like “Something in the Air” and the shimmering, perfect “Drip Dry Eyes” (live version previewed below). There’s a rumor that the title for Neuromancer was inspired by the record (which was in turn a play on New Romanticism)–if anyone can confirm or deny, I’d love a citation 😉 Enjoy!

Ippu-Do – Night Mirage, 1983

Ippu-Do was founded by Masami Tsuchiya in 1979 alongside Akira Mitake and Shoji Fujii. The band released five records, but Tsuchiya went on to release a slew of solo records as well as tour as a guitarist with Japan. With Steve Jansen replacing Shoji Fujii on drums, Night Mirage is a hulking play between towering new wave guitar, skewed synth pop, and avant-garde synth murk, with shades of calypso and a nod to Erik Satie.

The version I’m sharing is the 2006 Japanese re-issue, which includes Masami Tsuchiya’s six-track experimental mini-album, Alone (1985). They’re entirely instrumental, brooding, and very, very beautiful. Enjoy!

Susan Cadogan – Susan Cadogan, 1976

Sunny, sensual vocal layering from Susan Cadogan, whose voice I can’t get enough of. Apparently this didn’t attract much attention in Jamaica at the time of its release but it did well overseas, especially in the UK. Production from the master Lee “Scratch” Perry (and I think an unusually romantic record for him too). I can’t really think of anyone who wouldn’t love this. Thank you Isabel for the tip!

Note that there are a couple small glitches in this copy–this is the highest quality I could find. If you have a better rip please do send it along. Enjoy!